![]() ![]() "These are big, apparently docile, herbivorous animals," Gunton said. A scene in the "Deserts" episode highlights how animators used this approach to show viewers the unexpected: two sauropods in the genus Dreadnoughtus wrestling and stabbing each other with deadly looking arm spines. Gunton described their approach as being like "Sherlock Holmes," pulling together information from various sources and threading it together with the help of scientific advisors. The appearance, motion and behavior of the dinosaurs were inspired by evidence from paleontology, contemporary biology and other scientific disciplines such as biomechanics - the study of biological structures and mechanisms that control how animals move. The visual effects team designed the dinosaurs on computers, starting with skeletons based on fossil scans, and then adding muscles and skin. The crew didn't just have cameras and stand-in models they were also equipped with laser-shooting light detection and ranging (lidar) scanners for modeling environments, and high dynamic range (HDR) imaging equipment to measure light, enabling visual effects specialists to recreate natural environments and lighting in 3D space when adding the CGI dinosaurs.Ĭarnotaurus in the "Forests" episode of “Prehistoric Planet.” (Image credit: Apple TV+) (opens in new tab) rex 'cause he would eat them!" executive producer Mike Gunton said at the press tour. "You could never ask the camera person to go and stand in front of a T. They were so committed to authenticity that before the team decided where to place their cameras they considered how living dinosaurs might react to human observers. ![]() The crew encountered deadly venomous snakes and the footprints of lions in their faux-Cretaceous scenes. "Just because there are no animals there to film doesn't mean you don't go through hardships," Walker said. Some animals were far too big to be puppets or cutouts - imagine walking through the desert carrying enormous, long-necked sauropods made out of cardboard - so the team used long boom poles and drones to capture the eye-line and scale of really giant creatures. These dino stand-ins were a point of reference for the filmmakers and special effects team, enabling the creators to see how much space the animals would take up and how they would move in their environments. The film crews traveled to these locations and used life-size physical objects, such as cardboard cutouts and 3D-printed puppets, as stand-ins for the long-extinct dinosaurs. From searing deserts to lush jungles, the habitats that dinosaurs called home often still exist in some form today. ![]()
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